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Words from Ian McKellen
When his young wife died, Robert Richardson decided to honour her
memory and to cope with his grief at the disused Wee Free chapel of St Paul's,
which stands in the Isle of Dogs, that bulge of docklands in East London that is
surrounded by the great curve of the Thames as it flows by Limehouse (where I
live) and Greenwich (where Queen Elizabeth 1 was born and where Mean Time is
calculated). St Paul's Arts Centre is The Space and beautiful it is. It looks
ecclesiastical from the street, still surrounded by the houses where its
original congregation lived. The docks have declined and the sailors who
worshipped there have departed. Now the middle-classes have built their
riverside palaces including one with a helipad from which Robert De Niro
oversees his nearby restaurant.
The less advantaged residents of the Isle of Dogs have had few local
amenities and The Space is a beacon of artistic endeavour among the towering
businesses that crowd into Canary Wharf. Inside the Space is just that, an empty
space to gladden the heart of Peter Brook and other theatrefolk.
Plays are performed there and much music: jazz and classical and hip
hop. Films are screened. Marriages are celebrated — it's always party time at
The Space, and in the splendid restaurant at the back it's home-made food all
day long.
At its inception I did a version of A Knight
Out but when Robert and Ali his successor as director of events came to
see Dance of Death and typically
brought a few friends and some champagne, the least I could do was return the
compliment - hence "An Audience With..." a title that allowed me to do whatever
seemed right on the night.
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